woensdag 31 januari 2018
The band’s body of work mainly explores the terrain of Arabic popular music (“Shaabi”) and its interconnectedness with other psychedelic and hypnotic musical genres in the world, such as free jazz, space jazz, and psychedelic rock among others. Founded by Raed Yassin and Paed Conca in 2006. In the same year, the band made its first public appearance in Al Maslakh festival in Switzerland, immediately followed by a concert at the Irtijal festival in Beirut. Since then, the band has frequented numerous international music festivals and toured intensively world-wide, spanning Japan, Europe and Canada. Through these endeavors, the band has created a large global network with other renowned musicians as musical collaborators. The band consists of two regular members: Raed Yassin playing keyboards, laptop, electronics and vocals; and Paed Conca on clarinet, electric bass and electronics. http://www.paed.ch/praed/
dinsdag 30 januari 2018
Following in the tradition of the dark and stark imaginary of artists such as Lorka and with distinct Mediterranean fire, the sound of Ordre Etern is bleak and vile as the void the spirit of their city represents. Ordre Etern is not the defeat but the struggle, the endless struggle, and the celebration of the endless crises-not just economic, but moral-of present times. With lyrics dark as the period that brought them to light, they speak of fighting and resisting in a cruel present, against adversity, urban and moral desolation and the divide between the two natures of man. With feedbacking drums that ressemble guitars and guitars that ressemble shards of metal-without a single note-together with electronic and modified drums, synths and tímpani, Ordre Etern have created a dystopic postindustrial nightmare. Released by Magia Roja, June 15, 2015, Barcelona, Spain (Co-released with Tesla Tapes, Salford.). Yarei Molina: modified drums, electronic and metallic percussion, timpani; Víctor Hurtado: prepared guitar, vocals, bass, synth.
odaxelagnia, Polish Dancecore Destruction. Part 3 of odaxelagnia's freakshow series. Breaky, mashy, corey, mutant raves. Not only harsh party but there's also quite some heavy slow jams in here. Nice and atmospheric to cuddle with your VR babes and enjoy the night. download directly from Gitch City website, released December 10, 2016. http://koindozer.org/glitchcity/ odaxelagniaproject.wordpress.com https://www.facebook.com/odaxelagniaproject/
maandag 29 januari 2018
'When I first heard about this collaboration with Four Tet, I was thinking: "Oh no! Hebden is going to turn this into some sort of electronic album! He'll just fuck up the whole Sunburned sound!" Boy was I ever wrong! In fact, this is quite far from the remixed and reviewed album I was expecting; Kieren Hebden, even though he is the brains behind this particular album, acts more like a producer than the creator. The music is 100% Sunburned without a doubt and Hebden, who is a devout fan of the band, shows respect throughout. Imagine having a whole bunch of Sunburned's session recordings and being able to do whatever the fuck you want with them! A dream come true! Hebden obviously had tons of fun putting this all together and this rings through loud and clear on each track, from the noisier filler tracks like Captain Knowhere to the longer, pounding jams like the title track or The Wind Has Ears! Definitely some of Sunburned's best material yet!' Fire Escape - Smalltown Supersound - 2007 Sunburned recorded and produced by Fourtet in London - 2006. Artwork by eYe of the Boredoms.
Guitarists Lukas Simonis and Misha Feigin are seasoned improvisers coming together across the punk-hippie generational divide. Feigin is also a poet and writer. Metaphysics and wry humor coexist in his texts, which are integral to the Simonis/Feigin performance. Both Simonis and Feigin have produced and released numerous albums and were involved in a variety of cross-media projects with dancers, visual artists and writers. Simonis and Feigin explore a musical space that cannot be rigidly defined and includes a multiplicity of styles. Their musical interaction is based on sensitivity and the support of ideas offered for improvisation. Dark humor – both musical and textual – is also an important part of their collaboration. released December 12, 2017
zondag 28 januari 2018
Balkh performs a type of aural séance that exist on the blurry border between sound art and music. All sessions are improvised and unique. We refer to our style as “Dissociative-trance”. balkh has been most noted to evoke Muslimgauze. balkh comprises of Doriandra Smith: formerly of EXP, the Los Angeles based experimental band that featured Ace Farren Ford (Smegma / Los Angeles Free Music Society) and Rozz Williams (Christian Death); and myself: former vocalist of the germans (San Francisco) and co-founder of the defunct Enterruption record label – both with wm.Rage (Blue Sabbath Black Cheer). Documented: March 4th, 2017, Recorded at a high elevation in lower California. Released March 21, 2017.
“…And all of a sudden, as the sun set on a Sunday, I felt the song of a bird, an extraordinary beautiful song. You can believe me or not. And it said to me: Look, listen to Luzmila singing to the mothers, her songs of Bolivia… We’re all irreplaceable, we’re unique, even though we are alone; the song protects us, it comes from wherever it comes and it rests in the soul, like this time with Luzmila…” - Mercedes Sosa ZZK is incredibly honored and excited to announce the release of the Luzmila Carpio meets ZZK EP. Honored because we’ve had the opportunity to work with the most famous indigenous singer on the South American continent. Excited because the collaboration turned out really beautiful. Born in Qala-Qala, Potosi, Bolivia, Luzmila has been singing since the mid 1960’s of her homeland, of the Pachamama, of nature and her people in Quechua, a language thought to be more than 2,000 years old. The power of her stories transcends the boundaries of language; even without understanding the words, the listener can feel its beauty. Sit back and take a trip with Luzmila, remixed by some of the most innovative and creative producers experimenting with the new Latin music genre today. released February 23, 2015 https://zzkrecords.bandcamp.com/album/luzmila-carpio-meets-zzk
zaterdag 27 januari 2018
Trendy Fuckwit Music Australia Since1997 by S.Treweeke K.Thorburn Hand made shit CDR and Tapes , + pressed CD and 12"Vinyl . Video clips , DVD and VHS . We also hand print all our own merch and posters . Currently seeking artists for 4 way splits , a compilation CD and vinyl release . "Screaming Weapons" Passenger of Shit's Best Album! Het beste album van de Australische Speedcore / Breakcore wereldmeester / passagier van shit verschijnt van MADDEST CHICK'NDOM! Naast de beste track van 2003 tot 2016, zijn er 4 nieuwe opnames, zeldzame tracks die alleen in het analoge board waren opgenomen en remix door m1 dy inbegrepen! Omslagkunst getekend met POS-handschrift! Waanzin en geschreeuw zullen worden vermengd door de explosiesnelheid, ik zal de rust geluiden over de archipel rukken! http://mdstcd057.tumblr.com https://shitwankrecords.bandcamp.com/album/erotic-speedcore-coprophilia
Swift Treweeke is a Australian producer of extreme speedcore, breakcore and other electronic music styles. Visual artist, owner of Shitwank Records and BUTCHERS HAREM PRODUCTIONS. Currently based in The Blue Mountains, Australia. Best known for his intense speedcore as Passenger Of Shit, and production and raps as MC Bushpig. Swift is also vocalist in a grindcore band named Odiusembowel and founder of now defunct Suicidal Rap Orgy collective. Track from "Wank of Death" Album. shitwank.com.au
vrijdag 26 januari 2018
Destination Earth is a compilation packed with skits, scratches, and jams courtesy of friends, past guests, and contributors to Antwerp's premium freestyle throw down. Features: Yamaha DSR-2000, Lolito, Headband, Talloni Romani E Milo D'Aglio, Liquid Slug, Floris Vanhoof, Superskin, Pissflaps, Alien, Redray & Nag, Orphan Fairytale, New Root Canel, Dj Puddle and many more. http://stenzequo.blogspot.nl
donderdag 25 januari 2018
A drum that beats, heats and sizzles. Two bass guitars, … storming bass guitars ! Ponctuated by splutters, gurgles and pure, unadulterated babble. The occasional musical mine planted here and there and great clouds of laughing gas. Psychedelic wanderings and that elusive something that gets inside your head. They themselves call it regressive rock. They are the three wild beasts that are Le Singe Blanc. Live: Sunday, Jan 28, 2018 OCCII - http://occii.org/events/lsb-don-vito/
woensdag 24 januari 2018
The Netherlands, a tiny country in Europe mostly known for its windmills and tulips but there's more. During the last couple of years quite some bands -heavily into crossing over improv, noise rock and free jazz- emerged from the polders to wreak sonic havoc. Since the Netherlands is pretty small it didn't take long before they met each other, started doing shows together and borrowed players from each other for bigger improv ensembles and new bands. With a scene this strong the time felt right to make a nice (but incomplete) document of it, resulting in the 'The New Wave Of Dutch Heavy Jazz' compilation. released March 27, 2015
Onemanband ,rancid garagetrash 10 song album. Recorded 2003 in Rocketdog studio by Egbert Hotz.Vinyl still available. Quinten Dierick: About this and that, the first and the next . Assumptions, echo,s, distortions and modulations. What defines something and its borders. And all the resonances of those players Graphics, drawings, collages, installations ,performance, sounds. http://belchkitchen.tumblr.com
dinsdag 23 januari 2018
maandag 22 januari 2018
Sumshapes are Ali Begbie, Jer Reid and Richie Dempsey. They used to play together in Dawson a long time ago. That was the last time we made a record together. But now we made this one. So far we have played with The Ex, Cuz, Sacred Paws, World Peace, Joyce Delaney, Stuart Henderson and other good folks.
Bromp Treb is clumsy body music and/or noise of eager uncertainty, busted vibrations and unbridled enthusiasm. Since 2002 or so, Bromp Treb has put many recordings in circulation and has performed at fancy-pants places as well as countless basements, bars, lofts, living rooms, closets and art spaces all around North America and Europe. Bromp Treb recorded in chromazone, wmass, north america september 2016. Cables, univox drum machine, korg ribbon sequencer, jomox m-resonator, op-1, voice, tascam 4 track, eventide h-9, crappy mixer, sm-58. Released September 26, 2016.
zondag 21 januari 2018
With his new work, Heights in Depths, Svirsky examines psychoacoustics through way of glistening reeds. Architectural in its scope, these sine wave esq sounds are pinned to each corner of the listeners space, radiating like Dan Flavin sculptures in the room. Executed in two side long compositions, the laser like focus of these sounds bend and swirl, slowly drifting in and out of phase of one another, while all along making a grandiose evolution in the ultimate composition. Recorded on Easter Sunday at Gallery W139 in Amsterdam, Heights in Depths draws a map for the listener that has the arrows pointed in all directions. Accompanied by Norman Cohn’s text “The Pursuit of the Millennium: Revolutionary Millenarians and Mystical Anarchists of the Middle Ages” - Svirsky’s musical end game is down an infinite hallway lined with infinite mirrors - “To descend from the oneness or Eternity, into the multiplicity, is to lose ourselves in an endlesse Labyrinth.” released November 11, 2016 http://www.leosvirsky.com
There are two of them on one side, playing together, across the Atlantic, against Channel, like ping pong, but with their feet in the water of a fountain. There is one on the other side that moves loops looped it loops to loop everything before passing in the big looper that will loop everything. and all that to infinity. All Like an Ace in the sleeve that just fell in the sock. The duo is recorded by Patrick Kukucka at Static Age Records in Asheville. Everything is mastered by Marlon Wolterink. Cassette with 200 copies. Click here for French version. http://bonnehumeurprovisoir.free.fr/animalbiscuit.htm
zaterdag 20 januari 2018
The 3rd record from Pi Electronics is by the Rotterdam based, Thessaloniki born producer, Damcase. PI03 includes five original tracks of punky electro and techno, flavoured with Damcase’s riffs and noisy aesthetic. Sharp percussions, along with distorted grooves and broken beats, as well as some experimentation with voltage control techniques. The label reveals new colours on its palette, though not shifting away from its character.
vrijdag 19 januari 2018
Initially a one-off performance act combining visual arts and found-sound, The Wheal has evolved into a full-fledged music project whose lineage traces back to early 80's industrial and synth-pop bands as well as modern day electronics. From heavy drum-machine and synthetic bass-lines to ritual/ambient sequences, The Wheal's dark romanticism is equal parts channeling live energies and blissfull introspection.
"Ultrarock" that's how Facebook describes the critically acclaimed duo KNALPOT from Amsterdam. With electro, dub, post-rock, ambient and jazz as main pillars, KNALPOT's sound always remains an utterly hybrid mix of many genres. The austrian/french/german duo from Amsterdam is one of the Netherlands most exciting live bands. Gerri Jäger: drums, percussion, casio, synth, electronics Raphael Vanoli: guitar, bass, casio, electronics Sandor Caron: sound design released June 4, 2014
donderdag 18 januari 2018
A collection of field recordings, percussion, reed instruments and synthesised samples recorded during Spring 2017 whilst squatting an empty office block due for demolition in Leeds City Centre, following an illegal eviction from my home of almost a decade. No recordings made during the period were discarded. Each recording was stretched to loop at 58bpm (the natural pace of my controlled breathing for anxiety control), and re-recorded, manipulated with various analogue effects. Performed live with two samplers, reverb and EQ in two halves for cassette release on Zona Watusa (http://dublab.es/zonawatusa). Mastered by Declared Sound.
woensdag 17 januari 2018
Don't Let Me Be Lost To You B-Sides: Albanian, Armenian, Greek, Jewish & Turkish Music from the Me Re, Balkan, Metropolitan & Kaliphon labels
All tracks recorded ca. 1942-58 in New York City except for 29-34 in Istanbul and 35 in Istanbul or Albania. These are the leftover tracks transferred from 78rpm discs for a forthcoming 5-volume / 6-LP series to be issued in 2018. I have left the sound restoration in a partially completed state and the tracks untranslated in order to make the material available quickly and free as a gift to those invested and interested, while I continue to work on the notes and restoration for the larger project. I have retained most of the oddities and spelling variants from the original disc labels, partially to help the digital labeling of tracks for Westerners (especially for Turkish-language names), and partially as a "flavoring" of the confluence of the East and West in that time and place.released September 24, 2017. Some rights reserved. Please refer to individual track pages for license info.
dinsdag 16 januari 2018
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Mountain Dew=Luc van Weelden (http://lucluc.nl)
& Caetano Carvalho (http://eee.ehcaetano.com)
Imagine being pulverized by an atomic radioactive dust storm. Imagine your last living seconds being reduced to meaningless ashes. Imagine being raped by a whirlwind of sonic destruction. Imagine all this coming to reality. Yes it's possible because Disfigured Human Mind and Insomnia Isterica joined forces to drive you through the most insane musical aftermath ever. You will pray to be deaf on this one!!! Disfigured Human Mind: Cadaver Panafernálicus (All Schizophrenic Screams), Cadaver Efermus (All Morbid Guitars), Rubben Silva (Guest Drummer). Insomnia Isterica 'Cabaret Noisecore' starring:-Attila: Drums / Vomits / Coughing -Giulio: Guitar / Mucus / Fingers In The Nose -Mirko: Sitting On The Sofa / Smoke Signals
maandag 15 januari 2018
O.G. king of the chillers, Aardvarck, with 27 minutes of bathtub ready serenity . . . available for download.
Mike Kivits isn’t your average DJ/producer. A veteran of some 30 years behind the turntables, the man best known as Aardvarck has spent three decades defying conventions, mixing things up and successfully overcoming personal demons. His story, soon to be published in an autobiography offering advice to those battling depression, is nothing less than extraordinary. Now based in the Asian paradise of Bali, Kivits continues to divide his time between DJing and music making.
Shetahr is a three headed trash pop band from Brussels. They are primitive, demented and existential. Driven by animalistic drums, edgy guitare and a howling voice they'll bite your face off. Expect a stripped down set-up and a raw performance. This album is recorded by us on a simple 4-track recorder in the Shetahr cave. The cassettes are all sold out but you can still grab the digitals here. Fun For Free! released April 8, 2015. Nick Defour, Lotte Beckwé, Maarten Raskin.
zondag 14 januari 2018
Somehow moving to countryside made me fade from doing free jazz for years. Focusing more to taiji qigong / zen meditation, more to solo music which had become more peacefully and harmonic. Right after we have moved to Kemiö, some sound nerds from USA (Michael Northam, John Grzinich, Hitoshi Kojo (from Japan actually) and Patrick McGinley) started to wander around our hoods. I got so much inspiration from their work. These guys were totally into drone and sound. Lots of field recording, playing in the nature and stuff like that. All this came in perfect moment as moving towards to something new. After years of working with pianos of course led me to organs, and finally to church organs. This record is about finding the joy of the sound. Just the sound. It doesn't need to have any melody or rhythm. Just sound. About how to find peace inside the music. Letting music to fill you. Feeling it in every cell. And it's not all about the sound. You can feel the warm wind in your whole body. Bird song. Scent of flower. Colors of the sky. Nature. Universe. Taste of strawberry. Its all the same. Just perfect. Let it flow through you. Let the flow take you. Be the flow. Just let go. Accept. After all this, I can easily start playing didgeridoo again. Listen same schlagers what we used to listen with my parents when I was young. It's all good. And has always been. I am blessed with many many good friends. There's not enough space to mention you all, but I'm sure you know you are all here. You are part of the the reason why this all exist. Thank you! Antti Tolvi. This record is recorded 23.9.2015 with one take. No overdubs is added. Recorded in old church of Kemiö (build in 1500 century). released October 21, 2017
zaterdag 13 januari 2018
Berlin, DE: Wilted Woman alias E. 'lauren' ssslemo (burning eel? dj puddle). Noise / industrial concrète of two weapons groan sound features a techno-Buripu, graveyard soundscapes end values and mysterious mood has spread! Woman is satiety in chef dark techno grill. environment adjustments stalling. motion stalling .motion sta lastk r mmm/mm/o tttin released on cassette by stenze quo stenzequo.blogspot.de/p/available-releases_16.html released April 2, 2015
vrijdag 12 januari 2018
Spanning 20 years and lord knows how many islands and cultures, Pekak! is curated by well known musician and promoter, Indra Menus. He has spent the last five years compiling a massive collection of noise and experimental music from all over the archipelago of Indonesia and this tape is a smalll sampler of that collection. Hailing from Java, Bali, Sumatra, Borneo, Sulawesi and spots in between, these 18 tracks chart a huge and exciting scene from the most densely populated place on earth.
donderdag 11 januari 2018
"Solaz: Three Sonic Poems of Ecstasy from the South" is the first solo release of A.L. Guillén in Gruppo Ungido. Three pieces that propose multiple visions of Andalucía as a loving sound frontier between East and West. Inspired by sufi text, and its millenary presence in Almería, as the motor of this Union. Repeat and breathe, to finally overflow in every direction. Mediterranean sound garden, when the vibration of its musical traditions is transfigured beyond and here.. . lover and Beloved in Unity. Guillén explores the musical concept of “Ecstasy” carefully in its complexity, without charisma …with sober ecstasy, hidden from the spectacular "supernatural" capitalist notion of “Ecstasy”. This work is the first of a serie of albums by A.L. Guillén that explores the relation between music and sufism from diverse perspectives.
Gruppo Unido is a Netlabel and Anartist Society from the South of Spain, focused in spiritual experiences through music and arts. Intermedia Mysteriums (Obeahs) , netlabel and Cd releases (Obleas). www.gruppoungido.net
woensdag 10 januari 2018
Ajax's debut EP (KW-038) Debut 7" from NYC's best new hardcore punk band. Taking the blueprint of blistering USHC with riffs reminiscent of Swedish classics like Totalitär and one of the most powerful vocalists going today, Ajax have quickly become one of the most interesting contemporary hardcore bands. released December 9, 2014 http://shop.materialworldrecords.com
dinsdag 9 januari 2018
Chinese artist Pan Daijing lives in Berlin and is known for her incisive ritualistic experiments in music. Her live performances consist of theatrical performances with sounds inspired on the tribal industrial music of the 80’s, Tibetan music and field recordings of temples. Pan Daijing makes her audience go through a gripping catharsis of ecstasy and claustrophobia. https://bedouinrecords.bandcamp.com/album/a-satin-sight Album: https://pan-daijing.bandcamp.com/album/lack
maandag 8 januari 2018
It may surprise you, but this record hasn't been made on a synthesiser. In the late seventies they didn't really exist yet, and the ones that existed were too expensive. I wanted to make some kind of horror record because all things hereafter have always been one of my many obsessions. I had been borrowing loads of church organ music from the library for quite a while already, and I loved Vincent Price and doing weird voices, so it all came together on these tracks. 'I am your master' was inspired by a particular Dracula movie I had just seen at the time. The count was travelling from an island to the mainland, and there were shots of people behind bars in a psychiatry, with heaps of flies fleeing inside and the weather changing, and one of them said “The master is coming”. It all went from there. Cult Organ Horror originally released on 7". Made in Varsenare, West Flanders, Belgium. 12" Picture Sleeve + Linernotes on the back. Restored & Remastered. released July 3, 2017. http://stroom.tv
zondag 7 januari 2018
the тide øf тhe εnd is honoured to present to the world 'Throw Away the Ocean' by PSYWARFARE, the noise project of INTEGRITY mastermind Dwid Hellion. This 7" EP consists of six tracks recorded in the 1990s, including a cover of pioneering industrial act Throbbing Gristle's 'What A Day', all now seeing the light of day in June 2015.
It is a command of an expression of the anger and importence of the state of things, which I think most of us feel all the time. For what should you do? It is far out. A riot plate. It is shivering and screaming fast and at the same time super precise. At times it is sluggish and silly, but still super precise. According to Goodie, the music on the record is not Coda-reviewed and therefore free for everyone to use. It started with a Facebook post and a download link for an HD version of all the music on Wetransfer and an invitation to use it, publish it as you would. Then came on Spotify. Later, it became a physical record and is now available for various streaming and download services. Tour: Goodiepal & pals is a refugee organisation disguised as a contemporary Tek-Rock-Band – conducted by Faroese / European-master trickster: The Goodiepal. All the money that band makes goes straight, to stranded refugees – on the outskirts of the European borders. The following link is a GP & PLS recording made in Serbia. About a number of letters from children to refugees and the answers.
zaterdag 6 januari 2018
Around 1980 Menko Konings (eM.) started the Dutch underground formation S.M. Nurse, first together with Jos Jak and later also with Anneke Stempher. S.M. Nurse experimented with collage-like music and were inspired by N.Y.-ultra, disco e.g. The band mainly performed in the Amsterdam ultra-circuit (Oktopus, Paradiso), clubs and discotheques. They were played regularly on the famous radio programmes RadioNome and Spleen and performed live on radio in the villa of the VPRO in Hilversum. They also contributed to the theme cassette Turkish Delight of the label Ding Dong and there was a cassette release on the label Top Tape. At the end of 1983, S.M. Nurse split up. All songs composed and performed by Anneke Stempher, Jos Jak and Menko Konings. Guest synth-players: Robby Horsfall on 'Jing Jang Jong'. released January 12, 2014 www.reverbnation.com/em1 https://domestica.bandcamp.com/album/s-m-nurse-hometape-recordings-1981-1983-2015-ref-dom20-l
vrijdag 5 januari 2018
Now, communism and clubbing aren’t two topics often talked about in the same sentence. On ‘Seize The Means of Production’ however, a 21-track compilation concocted by London-based producer Oxhy and the international Xquisite Nihil collective, the themes dominate the dialogue, in a furious club frenzy against the establishment. Xquisite Nihil, is the URL collective with a universal voice. With counter-cultural cuts, dry wit, and enough experimental prowess to cut you off from your comfort zone completely, it makes the release an eclectic mix, kept in line by a shared artistic vision for all things a little off-kilter. Infested Blandtress opens things up softly, with the cinematic jab ‘which pret baguette are u?’, before things shift left-field with Bala Club’s Uli K and his self-titled, industrial, almost rock-inflected contribution. GANX, Violette, DJ Save the NHS also feature, with stand-out track being Yves Tumor’s take on Paramore’s ‘Pressure’, taking the pop-punk production and pushing it to the outer realms of ambience, as he strips lyrics into lullabies with intricate ease. ‘Seize The Means Of Production’ is available for free DL now via Quantum Natives, check it out below.
donderdag 4 januari 2018
The sixth release by Ballister, recorded live at the renowned Café Oto in London in March of 2015, finds a well-honed working unit that’s settled into the deep groove of their stride in the middle of a long European tour. The trio’s rhythmic drive drags the listener along face first, at times with flat-out abandon, and at times in lurches and spurts. Dave Rempis – alto/tenor saxophones, Fred Lonberg-Holm – cello and electronics, Paal Nilssen-Love – drums and percussion. https://www.discogs.com/artist/2852246-Ballister http://aerophonicrecords.com
woensdag 3 januari 2018
The simurgh is depicted in Iranian art as a winged creature in the shape of a bird, gigantic enough to carry off an elephant or a whale. It appears as a peacock with the head of a dog and the claws of a lion, sometimes however, also with a human face. Iranian legends consider the bird so old that it had seen the destruction of the world three times over. The simurgh learned so much by living so long that it is thought to possess the knowledge of all the ages. We hope this mythological benevolent creature could be a hope and a a guide in our dark times. Radio: mixlr.com/unexplained-sounds/ ,Sub label: eighthtowerrecords.bandcamp.com, Sonologyst: sonologyst.bandcamp.com
LEBENDEN TOTEN is one of the greatest punk bands to ever exist and this 12min one song e.p. proves the they can still do no wrong. When we asked them if they wanted to "get weird" with a single they, albeit very slowly, jumped at the idea. We had no idea what we were in for. It blows the mind all the way open. How do they keep getting better? "Static" is a perfectly wild and superbly crafted sheet of chaotic noise with a pounding goth backbone all jacked up on Hawkwind freakout space jams. Just try and imagine what that sounds like. America's best band. Cut and paste artwork with heavy subconscious symbology laced in printed on heavy duty old world 12" single style top loading sleeves house a Chanel etched 12" single mostly on black vinyl. There may be a couple migraines in there. released June 2, 2017
dinsdag 2 januari 2018
BEEATSZ v2.02 & v2.04 known as Utku Tavil(touring manic/organiser Multiversal/Brain pussyfication) hit drums and fiddle with various electronics. Kazehito Seki aka Self Toxication on Voice x Noise artist hustling in between Noise and Hardcore, focused on feedbacks of a mixer and a stereo microphone. https://soundcloud.com/utkutavil https://soundcloud.com/unkodaisuki http://www.brainpussyfication.com http://multiversal.site
Logosamphia is the Iranian-Dutch artist Sadra Hemati. Energetic lives, trashy-noise DIY toys, fluo-pop identity, epileptico-chelou dance, chaotic interludes, cartoon noises that rekindle your tenderest years, new dimensions and a nice lion mask are part of its modus operandi. March 16, 2017, co-released with CRACH records www.crachrecords.org Artwork/concept by Robis Koopmans & Logosamphia Vocals on track 3 & 7 by Chunky Mark the artist taxi driver! All music created & performed by Logosamphia, except for parts of track 6 wich contain Vader Abrahams german version of the smurfsong & track 15 has a little britney spears Toxic implemented. Track 14 is part of the Zelda soundtrack.
maandag 1 januari 2018
Asuna keeps consistent musicality while crossing the genre, from indie pops using experimental sounds using ambient, drone, various instruments, and releasing / live regardless of domestic and overseas. His new work "Mille Drops" will be announced from Paris based label RÉCIT (Rishi). This work is an ambient / acoustic experiment work with a delicate sound, produced on the theme of "water, rain, waterdrops, ripples". https://www.sites.google.com/site/aaaaasunaaaaa/ https://sites.google.com/site/aotoao3inch/
On a monday off from tour the three members of Dagora, together with Mik Quantius (of Embryo fame) and Thomas Hopf, rode the London Underground down to Drop Out Studios in Camberwell to record two long jams in a room where microphones where hanging from the ceiling with long cables swinging around, placed in staircases and in and around three sets of drums and some amps. Thomas Hopf provides the beat with his signature trade of psychedelic krautrock while RORO and Stephen of Dagora continuously unsettle that beat creating a fading in and out of washes of rhythm and percussive accents. At the same time Mik Quantius and Peter Quistgard move through the room, over on top of keyboards and vocal chords until they find their tune. Personnel: thomas hopf, stephen doyle, mik quantius, pq, rogier smal. Recorded at Drop Out Studios in Camberwell , London, during their September 2012 tour through the UK. released March 11, tozizok zoundz 2013
David edren aka DSR Lines is laying out liquifying modular synth stunners as audible acupuncture sessions. Edren keeps his sounds tactly understated and fully improvising explores his scientific aesthetics with delicacy and restrain. In 2012 he co-started the Hare Akedod label, an imprint for electro acoustic improv music. http://a-dsr.net
Everything had been perfectly prepared: the sample had been rewound, the text perfectly memorized, but then the scissors fell from the sky....
Welcome Home In Hyperspace Where Hunabku Loves.. In Lakesh.. darkpsy.. forest.. psytrance.. hitech.. Mexico.. Compiled By JokerFox, releas...
noisy Intervention in early French teknivals... The birth of a school : Exploiting raves to make noise. Muscle Sous Vide (A Tribute To Perpl...
Lyrics/Poetry: Kati Fado Music: Kuba Dykert/Kati Fado Visuals: Julian Jansen/Kati Fado Lyrics/Poetry from the book Aphasia by Kati Fado:...